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On the ocassion of Rina Banerjee's exhibition at Galerie Nathalie Obadia (Septmember 12th - 24 October 24th, 2015), Éditions Dilecta creates a monograph for the artist. These pieces, paintings, and scultupes, of mixed media and techniques, engages with the fantastical and multicultural universe of Rina Banerjee.
On the occasion of Edward Baran's exhibition, "The Way Backwards", at the Musée des Beaux-Arts of Angers (16th may-15th september 2013), Éditions Dilecta has released a catalogue which shows the diversity of the work of the Polish artist who lived in France for over thirty years.
The photographic work of Valérie Belin highlights a particular device that is reminiscent of American minimal art. Several themes emerge through her series: the surface of inanimate things or that of beings, time frozen, even petrified and the question of identity. Her work provokes an impression of doubt and disturbing strangeness.
Carole Benzaken is not resigned to a technique, a media, a format. Today, she explores painting, sculpture and video in order to present works that offer a reflection on the intimate and the surface, the inside and the outside or even the collective codes and the individual memory.
On the occasion of Monumenta 2012, Éditions Dilecta published the previously unseen sketches of Daniel Buren. His plans, drawings and collages document the genesis of the project from the abandoned initial ideas to the final work...
Philippe Cognée has been choosen to create a piece, Echo, intended to be shown in the renovated premises of the Grand Commun at the Château de Versailles: forty-or-so round paintings -called tondo- as if the painter created a constellation of images seen through his eyes.
Like a conductor, Loris Gréaud, versatile artist fascinated by architecture, quantum mechanics, cinema and music, seizes ideas in order to transform them into what he calls “empirical machines”. In June 2013, he took possession of both the Louvre and the Centre Pompidou through two installations mixing a work on space and sound specific to his art.
With 700 works and a collection of considerable archives (of poetry, theoretical texts, corespondances, books and more negatives), the Hausmann funds of the departmental museum of contemporary art permitted for the creation and calculation of the ambitious works of Raoul Hausmann and the overdue historical plan and the intellectuelism that nourished him.