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This book, which could be considered a manifesto, is entitled Il faut reconstruire l’Hacienda [The Hacienda must be rebuild] and was made after Bruno Peinado’s exhibition of the same name, which took place in october 2016 at the MRAC, Sérignan, France.
With 700 works and a collection of considerable archives (of poetry, theoretical texts, corespondances, books and more negatives), the Hausmann funds of the departmental museum of contemporary art permitted for the creation and calculation of the ambitious works of Raoul Hausmann and the overdue historical plan and the intellectuelism that nourished him.
Laure Prouvost's work mixes several stories that answer one another, clash: fiction can then embrace reality. In her immersive installations and films, she gathers various mediums to develop a fable that addresses the visitor directly.
Éditions Dilecta publishes Merci Raymond, by Bertrand Lavier on the occasion of the exhibition of the same name, in which Bertrand Lavier pays tribute to Raymond Hains, through a selection of his works or those of other artists who echo them.
The photographic work of Valérie Belin highlights a particular device that is reminiscent of American minimal art. Several themes emerge through her series: the surface of inanimate things or that of beings, time frozen, even petrified and the question of identity. Her work provokes an impression of doubt and disturbing strangeness.
On the ocassion of Rina Banerjee's exhibition at Galerie Nathalie Obadia (Septmember 12th - 24 October 24th, 2015), Éditions Dilecta creates a monograph for the artist. These pieces, paintings, and scultupes, of mixed media and techniques, engages with the fantastical and multicultural universe of Rina Banerjee.