À fleur de paume — Un regard sur la miniature dans l'art contemporain [A look at miniature in contemporary art]

À fleur de paume — Un regard sur la miniature dans l'art contemporain [A look at miniature in contemporary art]

Group show curated by Thomas Fort With works by Sylvie Auvray, Sosthène Baran, Damien Cadio, Marion Chaillou, Ali Cherri, Giulietta Cogotti, Jérémie Cosimi, Lélia Demoisy, Nicolas Dhervillers, Alice Gauthier, Jean Gfeller, Majd Abdel Hamid, Oscar Lefebvre, Amandine Maas, Annette Messager, Zélie Nguyen, Lucile Piketty, Mircea Suciu, Rosa Maria Unda Souki, Thomas Tronel-Gauthier and Wang Suo Yuan. read more
Emmanuel Régent,  "Pendentia Nubila" [The Hanging Clouds]

Emmanuel Régent, "Pendentia Nubila" [The Hanging Clouds]

Pendentia Nubila [The Hanging Clouds], Emmanuel Régent’s first exhibition at Dilecta, featuring a dozen unexhibited Indian ink drawings and watercolours on paper, is in fact marked by the notion of disruption. read more
Series : Thomas Houseago, Mircea Suciu, Nicolas Daubanes

Series : Thomas Houseago, Mircea Suciu, Nicolas Daubanes

At Dilecta, art publishing projects are carried out as an extension of books, with the idea of the enjoyment of cultivating ways of printing, the forms of the multiple and, of course, the meaning given to representation, which changes from piece to piece. The three artists invited to take part in this exhibition cycle - Nicolas Daubanes, Thomas Houseago and Mircea Suciu - each present extremely different works, but they all come together through the questions raised by the creation of a “series”.  read more
Three questions to Clara Pagnussatt, an art advisotr

Three questions to Clara Pagnussatt, an art advisotr

As part of our Christmas newsletter, we invited four leading figures of the art world to share their experiences on contemporary artworks and their wishlists for the Christmas holidays. read more
Three questions to Gaël Charbau, a curator

Three questions to Gaël Charbau, a curator

As part of our Christmas newsletter, we invited four leading figures of the art world to share their experiences on contemporary artworks and their wishlists for the Christmas holidays. read more
Three questions to Éric Poitevin, an artist

Three questions to Éric Poitevin, an artist

As part of our Christmas newsletter, we invited four leading figures of the art world to share their experiences on contemporary artworks and their wishlists for the Christmas holidays. read more
Three questions to Frédéric Lorin, a collector

Three questions to Frédéric Lorin, a collector

As part of our Christmas newsletter, we invited four leading figures of the art world to share their experiences on contemporary artworks and their wishlists for the Christmas holidays. read more
L'été [The summer]. Collective show

L'été [The summer]. Collective show

"Yet already the sun, the faint breeze, the whiteness of the asphodels, the sharp blue of the sky, everything makes one fancy summer—the golden youth then covering the beach, the long hours on the sand and the sudden softness of evening." read more
Paradis artificiels with Ellande Jaureguiberry and Mathilde Lestiboudois

Paradis artificiels with Ellande Jaureguiberry and Mathilde Lestiboudois

The exhibition "Paradis artificiels" (artificial paradises) puts in dialogue, in a new way, the paintings of Mathilde Lestiboudois and the drawings and sculptures of Ellande Jaureguiberry, inviting us to plunge into phantasmagorical spaces, favorable to the deployment of conflicting feelings. We are invited to metaphorically cross uncertain zones, oscillating between the theater stage and the votive altar, between the built and its ornament. Of the same delicacy in the gesture that shaped them; of an identical will of precision while granting an importance to the qualities of the material; the works of these two artists activate a dance of the glance, sometimes caught by the effects of depth and the details, sometimes sliding on the smooth or powdery surfaces covering the support. They lodge us in a discomfort, a productive doubt by which the imaginary as well as the memory are awakened. Thereby, the familiar ricochets on the unknown, the real intertwines with the fiction. read more
Valérie Sonnier : Ma maison me regarde et ne me connaît plus

Valérie Sonnier : Ma maison me regarde et ne me connaît plus

Valérie Sonnier's works depict an universe defined by the notions of presence and absence, whose nostalgic architectures are punctuated by apparitions. Each project is expressed through three media: film, photography and drawing. Valérie Sonnier is more specifically interested in the architecture of the places she portrays with precision. This setting, a theatre of spirits and lives that she tries to capture and immortalise, is drawn with graphite, coloured pencil and wax on the pages of old school or account books, filmed with a Super 8 camera and photographed in silver or colour, ghostly traces that constantly transpose us into a space of time that is past, as if crystallised. read more
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