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Interiors made up of a few pieces of furniture - a chair, a bed, a table, a neon sign, shutters. Reduced to the essential, Jean Gfeller's sets unfold like archetypes of familiar places, homes, bedrooms, even waiting rooms. Ambivalent, they shape a small labyrinthine theater where doors and windows offer no escape.
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At the beginning, there is blur: foggy images that the light tends to reveal or to silence, the photography coming as much to penetrate as to resist to the drawing, also from an artist fond of theater and cinema for whom the disciplinary non-choice is widespread...
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Like a tribute to Mother Nature, this exhibition focuses on questioning humankind on its part in the gradual yet drastic annihilation of the planet; not only of its fauna and flora but also of what affects humanity in its flesh and psyche. A slow and progressive suicide which cripples day after day the beauty of the divine so perfectly described by Spinoza and so accurately embodied almost a century and a half ago by the artist Albrecht Dürer in a simple but uprooted tussocks of weed paradoxically rendered immortal by his mastery of watercolor.
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For our fourth participation in Art Paris Art Fair, we are pleased to present a focus on the work of Eric Poitevin as part of guest curator Alfred Pacquement's project, "Un regard sur la scène française: histoires naturelles. Art and the Environment".
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For this carte blanche invitation at Dilecta, Juliette Minchin unveils a new phase of her work, one never exhibited before: the “Hydromancie” [Hydromancy] series made up of 5 mesmerizing drawings in which bursts of pigments become one with layers of translucent wax, completed by a wide piece of 2.50 × 1.20 m; and a dozen of photograms, the “Cérogrammes”, realized with pieces of drapery from recycled artworks. Two fundamentals of her work can be found in those pieces: wax, her key material, and light.
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“Traverser les silences” brings together artists from different backgrounds and careers in order to freely embrace a diversity of practices related to current figurative painting. The exhibited works, some of which were created specifically for the occasion, invite us to reflect on the ineffable aspect of the painting. It is a question of exploring the bark of the paintings, that thin layer of material retaining the traces of gestures carried out in the silence of the studio. But beyond exploring their materiality, we are also invited to immerse ourselves in the images they make visible. These images, which are essentially mute, seek to inspire a seductive disturbance for the writing of numerous stories.
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![Juntas [Ensemble]](https://editions-dilecta.com/modules/ph_simpleblog/covers/9-thumb.jpg)
